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Showing posts from August, 2025

Paper Tapestries - The Art of Sue Britt

I found this delightful art of Sue Britt at a recent juried art festival!  Her paper-wrapped, pattern-cut substrates capture scenes from the natural world.  This happens to be a tide pool, but she does a range of landscape pieces. What I loved about her booth was the exemplars of papers she uses for her pieces plus an explanation of her process, and the best part -- her sketchbook with drawings and notes.  The sketchbook was so neat to see -- in that I got a better understanding of what catches her eye and inspires her to take that inspiration and develop composition ideas in her sketchbook.  Having had an education in architecture, she is a problem-solver.  I think that background paired with her very creative eye results in a different kind of art using paper forms to imitate nature scenes than I've seen before.   Because I have lived in coastal communities and visited tide pools, this piece to me truly captures the sense of sea grass movement as water fl...

Following Through on an Idea

This is my FIRST EVER political cartoon creation!  It's based on an idea that came to me a few days ago.   The characters are based on Ivan Brunetti's way of creating simple ones.  (I learned about him through Lynda Barry's 'Making Comics' course.)  In this cartoon, I'm pleased that the one female character across the middle six frames has a consistent look and feel.  Meanwhile, the colored-in characters are a bit more complex though have some simple elements. Ultimately, this cartoon is intended to be satirical.  That said, how does it come across to you?  Does it flow and make sense?
As you can see, I've been practicing pottery-throwing, trimming and glazing a lot!!!  The photo below shows the pots from my third and fourth glazed batches that are now considered done.  Yes, I'm getting better.     I've started experimenting with two-tone color combinations in the glazing process. This generally involves a full dip in one glaze as the base color -- and once set, dunking the rim area in a secondary glaze.  Sometimes the effect is a lace-like pattern, or a contrast color, or even a glossy edge.  Glazing is an exploration in and of itself.  Even if I love or dislike a vessel I create, it can change in the finishing process depending on the glaze(s) used. That said, more experiments are on the way.  

Zine - First Taller than Wide

I saw a zine post recently in which the artist shared how to create taller-than-wide zines on copy paper.  It's actually simple and just a matter of folding the paper a bit differently than for mini-zines.   In creating this kind of zine, the art (drawing, collage, or writing) will be constrained in ways that are unexpected -- as I learned in putting this one together.   The materials used for the project were cut-up pieces of unused art and silhouettes from cut-outs.  My approach was to simply play.  I like how it turned out and its simplicity.  The cover page is the one with the purple oval.  To follow the pages, move right, then up, around, and then down to the purple and orange page (the back cover).   The video below is a quick tour of how it looks folded with the pages being turned.  

Kiln-Fired Glazed Pots - The Second Batch

The balance of my beginner class pots (12 of the 22 total) have been glazed and fired.  This second batch isn't as impressive as the first.  You can tell many are early ones, because the bottoms of the interiors haven't been smoothed out.   Unfortunately, I didn't record the names of the glazes used for the second batch aside from Blue Celadon and Nebula.  The ones I like from this batch are the lighter speckled ones (off-white and light green).  The outcome this time included a cracked pot and another with a chipped base.  But these kinds of losses are part of the process too. I'm now into my third week of a new-to-me intermediate course in which I'm learning to throw with the wheel set-up for left-handed throwing.  Yes, it is different...the wheel rotates clockwise rather than counter-clockwise, and the roles my hands have are reversed.  My focus now is on pulling the walls of the clay taller and thinner on each vessel I undertake.  I'm als...