Skip to main content

Mind-Consciousness Connection in Art?

I watched a TV program this morning about infants and very young children (up to 4-5) having most of the parts of their brains active (as if everything stimulates them) while adults have reduced areas of their brains active (and consequently, are stimulated by a narrower band of triggers).  This change seems to begin as young children become self-aware and create their own self-narrative of "I" in time-space.  At that point, they begin a process of 'forgetting' any expanded consciousness they may have demonstrated or experienced during their younger ages.

This made think about how artists are challenged to "play" with their mediums to enhance their creativity, jump-start it, or simply explore their world through their art as if they were seeing it through the eyes a child (e.g. seeing something for the first time).  It seems when we do that, there is an intrinsic freedom felt to explore trying things we might not normally try or a release from the limitations that we've developed in our art-making.  What is it about seeing as a child that frees us in our art? How do we categorize the type of art that we make when we believe that we've created it from a child-like place?  Those times I've done so, there has been the use of rudimentary shapes in the work, no fear in using non-traditional materials and techniques, and an overall sense of fun and folly in creating and appreciating the work.

Do you see and feel a difference in the art you produce when you feel you have 'played' versus the art you've made when you feel you haven't?  Can you describe that difference and where you think it comes from?

 

Comments

Popular posts from this blog

Visiting The Hague and Amsterdam (Netherlands), and Paris!

Since late March, I've been planning an international solo trip that included meeting up with friends.   The planning is what makes a trip an adventure, and it was definitely fabulous -- now that it is in the rearview mirror -- so to speak.   During my two weeks abroad, the sights visited included the: Mauritshuis, a lovely art museum (The Hague, Netherlands) Binnenhof (The Hague, Netherlands) Delft (Netherlands) Kasteel de Haar, a castle (Haarzuilens, Netherlands) Museum Speelklok (Utrecht, Netherlands) Walking Tour of Amsterdam (Netherlands) Rijksmuseum (Amsterdam, Netherlands) Van Gogh Museum (Amsterdam, Netherlands) Dutch Resistance Museum (Amsterdam, Netherlands) De Oude and Nieuwe Kerks aka old and new churches (Amsterdam, Netherlands) Anne Frank House (Amsterdam, Netherlands) Sainte Chapelle/Conciergerie (Paris, France) Giverny - Monet's residence at one time (outside Paris) Versailles (outside Paris) Musee d'Orsay/VR Event titled 1874 Impressionists First Exhibition...

New Project in Progress

I'm working on a new project with multiple layers and shapes of different colored organzas.  It is an interpretation of lighting on an ice rink...from a show I recently saw.  There is a lot more stitching to do, but I like how its coming along.  I'm learning organzas are not easy to work with especially when you layer them and have overlaid edges.  The fabric also tends to ravel easily. This post also linked to  http://ninamariesayre.blogspot.com .

Fabric Basket - Pretty Easy

This basket was made in Jane Hall's half-day course at IQF 2014.  The greatest amount of time involved in making it--was cutting and sewing the strips together.  Otherwise, it went together easily and quickly (3 hours). These baskets are a great holiday gifting idea that you can match to family and friends' home decoration color schemes.  They're fun and useful besides.