Skip to main content

LB2015 - Seeds...


As a project to represent my community, I chose a mountain scene.  Can you tell?

This was a tough project and lesson for me - finished today.  Shading and highlights are not something I necessarily think about or plan for in advance of doing a project (also true of my 'seeing' photographs).  So, choosing what I was going to shade and highlight on this project were challenging choices. as you can see.  The blending needs some improvement, even though I like the three-dimensionality of the abstracted tree trunk.  What I primarily learned is that the collage base needs to be lighter weight.  Mine wasn't as I'd used thick papers and that became a problem especially when applying gesso to reduce the intensity of the collage colors.  My brayer couldn't make contact with all the layers of the paper that should have been covered with it.

In any case, I keep learning!
 
This piece was created through a class offered by Tamara Laporte from Willing Arts Ltd. For more information, visit this link: www.willowing.org.

Comments

  1. Bethany GarnerMarch 14, 2015 at 3:28 AM

    The design is wonderful and the colour and contrasts just sing across the paper. Really a grat result... love it!
    Bethany

    ReplyDelete
    Replies
    1. Cay DeniseMarch 14, 2015 at 8:56 AM

      I really appreciate your comments, Bethany...thank you!

      Delete

Post a Comment

Popular posts from this blog

Introducing 'Kaleidoclown'

For fun, I've drawn one of my own photos (yes, I was dressed in a clown outfit) and added a wild and crazy background to accompany it for today's practice effort. As part of sketching the piece, it was split into four sections with two opposing diagonal lines.  In terms of color choices, I've worked with color gradations for some shape sections.  Can you believe, there are five major shapes in this effort?  There really are -- circles, squares, trapezoids, triangles and spirals. I think the substrate is Biengfang Watercolor Paper (140 lb.).  The materials used were Ohuhu markers, Micron 01 pigment ink pen, some red Stickles glitter glue for the nose, and a white Posca pen (for white dots on the face and to highlight eyes) and a yellow one (for yellow dots in the center of the flowers on the hat). There was no intention in working on this piece other than to have fun...and based on how it looks, I'd say well done!.   One thing I learned is that blending with the Ohuhus i
Post a Comment
Read more

The Creative Act by Rick Rubin

'The Creative Act', published just this year (2023), is filled with pearls of wisdom!  I've done one read-through without marking up the book.  But I will be re-reading it to digest it much more fully.   With so much in the book, I sometimes felt like I was hearing familiar voices communicating similar thoughts. That includes art course instructors, Ardith Goodwin and Louise Fletcher; words spoken by Goenka-Ji when leading Vipassana meditation retreats; and books by others.  Some of those authors include Brene Brown, John Cleese, Lynda Barry, David Bayles & Ted Orland, Cat Bennett, Austin Kleon, etc.  Without a bibliography or reading recommendations list, I'm really curious about the breadth of reading done by the author.  What/who were his favorite books/authors?  How did he develop his insights into the creative process?     The book is well-suited for marginalia.  If you're wondering what that is, it is writing in the margins to restate what you've read,
Post a Comment
Read more

New Project in Progress

I'm working on a new project with multiple layers and shapes of different colored organzas.  It is an interpretation of lighting on an ice rink...from a show I recently saw.  There is a lot more stitching to do, but I like how its coming along.  I'm learning organzas are not easy to work with especially when you layer them and have overlaid edges.  The fabric also tends to ravel easily. This post also linked to  http://ninamariesayre.blogspot.com .
9 comments
Read more