This piece is an effort to incorporate raised surfaces like freehand braille (with an actual 3-line haiku translated to braille that should be read by rotating the image counter-clockwise).
I learned so much from painting a profile. Some of that learning was in achieving some sense of depth, dealing with bags under the eye and lines (from cheek to chin) that occur when the mouth is open as intensely as it is. The ear may be a bit small, but it looks much more realistic than many I've done before--so I'm really happy with that. There is also a lot of acrylic glazing in this -- used for the background and hair.
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