Skip to main content

Narrative in Portraits - Course Work

This is a piece created by working from a prompt developed by Artist and Class Instructor, Ardith Goodwin.  Selected elements from that prompt were used as jumping off points (e.g. big hat with flowers).  It evolved in its own way and is nothing like one would imagine from a literal interpretation of the prompt.  There is a big difference. 

The translucent veil was done by adding light layers of white acrylic paint glaze, and the ornamentation was done by a white pen.   

Based on my experience with this effort, I'm interested in what triggers your idea of creating something.  Is that trigger an inspiration image (photograph, sculpture), a saying (quote, poem), an emotion you're trying to release, or are you intuitive and let an image 'arise' from the page as you paint?  If you have a different way, I'd love to hear about what that is.


#narrativeishere

Comments

Popular posts from this blog

Introducing 'Kaleidoclown'

For fun, I've drawn one of my own photos (yes, I was dressed in a clown outfit) and added a wild and crazy background to accompany it for today's practice effort. As part of sketching the piece, it was split into four sections with two opposing diagonal lines.  In terms of color choices, I've worked with color gradations for some shape sections.  Can you believe, there are five major shapes in this effort?  There really are -- circles, squares, trapezoids, triangles and spirals. I think the substrate is Biengfang Watercolor Paper (140 lb.).  The materials used were Ohuhu markers, Micron 01 pigment ink pen, some red Stickles glitter glue for the nose, and a white Posca pen (for white dots on the face and to highlight eyes) and a yellow one (for yellow dots in the center of the flowers on the hat). There was no intention in working on this piece other than to have fun...and based on how it looks, I'd say well done!.   One thing I learned is that blending with the Ohuhus i

New Project in Progress

I'm working on a new project with multiple layers and shapes of different colored organzas.  It is an interpretation of lighting on an ice rink...from a show I recently saw.  There is a lot more stitching to do, but I like how its coming along.  I'm learning organzas are not easy to work with especially when you layer them and have overlaid edges.  The fabric also tends to ravel easily. This post also linked to  http://ninamariesayre.blogspot.com .

Announcing new book - The Soliloquies of A Wayfaring Trio!

I'm so delighted with my new book -- that I designed, wrote and illustrated, and is now in print thanks to Blurb!   'The Soliloquies of A Wayfaring Trio' was a months-long effort this year.  I had no plan to create a book when I started reading unpacked journals from years ago. Those journals -- started in 1979 -- was at a time when life was about to serve-up some dramatic changes including a solo move from the Midwest to the Pacific Coast.  I wasn't writing poetry then.  In fact, I had never written poetry before, and it was only through those journals that I started writing creatively.   In 1981, that creative writing began with prose (one to four sentences in length).  While taking a 10-month journey to Europe (1982-3), poetry in free verse form started showing up.  An edited version of one of the poems written during that trip appears in the latest book and is titled 'A Day at Nea Kameni' (a location in Greece).   Thereafter, and in looking back, new poems s