...at the Carnival of Venice. She is posed for a quick capture--whatever quick means in her era. With Victorian and Baroque influences, this piece was done with a combination of Japanese watercolors and acrylic paints with pen work to add details.
The story of this piece goes...after her sitting, The Lady Letticianza stood to regain some flexibility from her atrophied muscles. She then had her powder, hair and feathers checked, and her Carnival mask reattached. This year's theme had been Sagittarius the Archer: More than a Constellation.
The Lady Letticianza was a beauty and intellectual. Preparing for the Carnival had been as much a research and thinking exercise as it had been the skill and dexterity of the artisans who made her gown all the way to those who created her stunning mask--based on her direction and under her watchful and appreciative eyes. Carnival was the icing on the cake, providing the rare opportunity to prance invisibly amongst her peers and delight in the anonymity she felt.
The photos below including her pose at the sitting with and without her mask.
Netflix has been advertising this limited Korean series recently added to the site's line-up. The title peaked my interest. So, I started watching it with no expectation other than knowing it was about two pianists. I really liked how this Korean production was dubbed in English. The English speakers (voice sound/tone/character) were terrifically cast as well as the timing of the spoken words' consistency with the mouthing of the Korean actors on-screen dialogue. This series' storyline has a number of facets: bullying, wealth vs poverty and access to arts training, musicianship, stage fright, competition, friendship, rivalry, sabotage, lack of confidence, revenge, etc. The music is primarily classical and is lovely. Four Hands, Two Sonatas is an off-beat show. That said, I really enjoyed it (and the piano playing is terrific too)! As a prior musician--there are many topics it brought up that I understand. Overall, the...


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