Skip to main content

Practice

This effort is based on Karl Joseph Stieler's "Augusts of Bavaria, Duchess of Leuchtenberg' dated 1820.  Interestingly, after finishing this and doing a Google search, I found the reference photo that I had used on Wikipedia.  However, there is another version of the painting on Getty Images.  So, I'm unsure which is the original work by Stieler or if both of them are.  That said, the Getty Images version looks like a more likely ensemble that would have been worn by the Duchess.  

Friday, the sketch was done.  I painted the sketch in with Japanese watercolors yesterday and today.  To start, I specifically tested a watercolor brush pen to see how it would work.  The intention was to have it apply a light grey in the shadow areas.  That did not work!  The paint using this tool--went on too dark, and it color would not blend when another wet layer was added over it.  

The curls in this piece are better than my first effort and a lot of practice is still needed.  The lips in this image are downturned while the reference has a slight smile.  I may rework it, but the way it currently looks doesn't bother me.  The eye closest to the viewer is still a bit big even after having reshaped it.  I think I'm going to leave it this way, though.  

Other than that, the dress was painted with a 3-color combination (light blue, grey and a pearlescent white).  I like how it looks fluffy in texture...and has a sense of organza fabric.  I have yet to figure out how to embellish a painted area so it looks like fur.   The beige garment around the body is supposed to be a fur, though it doesn't look like it yet.  This is an item to add to my 'to learn' list.



Comments

Popular posts from this blog

Introducing 'Kaleidoclown'

For fun, I've drawn one of my own photos (yes, I was dressed in a clown outfit) and added a wild and crazy background to accompany it for today's practice effort. As part of sketching the piece, it was split into four sections with two opposing diagonal lines.  In terms of color choices, I've worked with color gradations for some shape sections.  Can you believe, there are five major shapes in this effort?  There really are -- circles, squares, trapezoids, triangles and spirals. I think the substrate is Biengfang Watercolor Paper (140 lb.).  The materials used were Ohuhu markers, Micron 01 pigment ink pen, some red Stickles glitter glue for the nose, and a white Posca pen (for white dots on the face and to highlight eyes) and a yellow one (for yellow dots in the center of the flowers on the hat). There was no intention in working on this piece other than to have fun...and based on how it looks, I'd say well done!.   One thing I learned is that blending with the Ohuhus i

New Project in Progress

I'm working on a new project with multiple layers and shapes of different colored organzas.  It is an interpretation of lighting on an ice rink...from a show I recently saw.  There is a lot more stitching to do, but I like how its coming along.  I'm learning organzas are not easy to work with especially when you layer them and have overlaid edges.  The fabric also tends to ravel easily. This post also linked to  http://ninamariesayre.blogspot.com .

Announcing new book - The Soliloquies of A Wayfaring Trio!

I'm so delighted with my new book -- that I designed, wrote and illustrated, and is now in print thanks to Blurb!   'The Soliloquies of A Wayfaring Trio' was a months-long effort this year.  I had no plan to create a book when I started reading unpacked journals from years ago. Those journals -- started in 1979 -- was at a time when life was about to serve-up some dramatic changes including a solo move from the Midwest to the Pacific Coast.  I wasn't writing poetry then.  In fact, I had never written poetry before, and it was only through those journals that I started writing creatively.   In 1981, that creative writing began with prose (one to four sentences in length).  While taking a 10-month journey to Europe (1982-3), poetry in free verse form started showing up.  An edited version of one of the poems written during that trip appears in the latest book and is titled 'A Day at Nea Kameni' (a location in Greece).   Thereafter, and in looking back, new poems s