Skip to main content

Practice

Yesterday and today's practice has been based on the photograph of an old painting of what is a woman in a folk costume who is either Russian, Ukrainian or from one of the other former Soviet Union countries because of that costume.  Unfortunately, there is no citation information available.

The sketch was done with mechanical pencil (0.5mm).  The image was painted in with Japanese watercolors after outlining the headscarf, color and sleeves with white Uni-Ball Signo pen in order for that white to show through the paint.  The gold in the headpiece and other areas was done with a gold Sakura PenTouch marker while the dots, having some texture, coming from dabs of Golden Iridescent Gold (Deep; Fine) liquid acrylic.  

For the head tilt, I've used a technique recommended from an artist friend.  Thank you, Pegret, because it came out very well!  Normally, my faces haven't been as fully tilted to -- as faithfully -- simulate the source image as possible.

That said, I'm pretty pleased with this.  The hands were the most challenging, and they've come out ok.  Looking at the piece as I post this, I see one area that may need a bit of paint to cover up some of one of the hands.  Other than that, it's done.

Comments

Popular posts from this blog

Introducing 'Kaleidoclown'

For fun, I've drawn one of my own photos (yes, I was dressed in a clown outfit) and added a wild and crazy background to accompany it for today's practice effort. As part of sketching the piece, it was split into four sections with two opposing diagonal lines.  In terms of color choices, I've worked with color gradations for some shape sections.  Can you believe, there are five major shapes in this effort?  There really are -- circles, squares, trapezoids, triangles and spirals. I think the substrate is Biengfang Watercolor Paper (140 lb.).  The materials used were Ohuhu markers, Micron 01 pigment ink pen, some red Stickles glitter glue for the nose, and a white Posca pen (for white dots on the face and to highlight eyes) and a yellow one (for yellow dots in the center of the flowers on the hat). There was no intention in working on this piece other than to have fun...and based on how it looks, I'd say well done!.   One thing I learned is that blending with the Ohuhus i

New Project in Progress

I'm working on a new project with multiple layers and shapes of different colored organzas.  It is an interpretation of lighting on an ice rink...from a show I recently saw.  There is a lot more stitching to do, but I like how its coming along.  I'm learning organzas are not easy to work with especially when you layer them and have overlaid edges.  The fabric also tends to ravel easily. This post also linked to  http://ninamariesayre.blogspot.com .

Announcing new book - The Soliloquies of A Wayfaring Trio!

I'm so delighted with my new book -- that I designed, wrote and illustrated, and is now in print thanks to Blurb!   'The Soliloquies of A Wayfaring Trio' was a months-long effort this year.  I had no plan to create a book when I started reading unpacked journals from years ago. Those journals -- started in 1979 -- was at a time when life was about to serve-up some dramatic changes including a solo move from the Midwest to the Pacific Coast.  I wasn't writing poetry then.  In fact, I had never written poetry before, and it was only through those journals that I started writing creatively.   In 1981, that creative writing began with prose (one to four sentences in length).  While taking a 10-month journey to Europe (1982-3), poetry in free verse form started showing up.  An edited version of one of the poems written during that trip appears in the latest book and is titled 'A Day at Nea Kameni' (a location in Greece).   Thereafter, and in looking back, new poems s