Practice - Exploration

Yesterday and today's practice effort is an exploration of using my dot-line-color technique with an abstracted stand of trees. It is a concept I came up with after seeing some of Dana Irving's tree paintings. In them, she anthropomorphizes many of her trees (e.g. a pair of them embracing while ballroom dancing).

It took me a while to come up with my version of an abstracted tree. But once that was figured out, I sketched them with a mechanical pencil overlaid with a Monoline Studio pen (0.3 mm) line. Dots and connecting lines were added with the same Monoline pen after the trees were drawn in. Then all was colored with Sharpie pens.

Do you consider this busy or not? Where is your focus drawn to? Do you see the trees easily, or are they camoflauged/obscured by the color changes and/or any motion you sense from the image?

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