Skip to main content

New Project in Progress


I'm working on a new project with multiple layers and shapes of different colored organzas.  It is an interpretation of lighting on an ice rink...from a show I recently saw.  There is a lot more stitching to do, but I like how its coming along.  I'm learning organzas are not easy to work with especially when you layer them and have overlaid edges.  The fabric also tends to ravel easily.

This post also linked to http://ninamariesayre.blogspot.com.

Comments

  1. Nifty texture! The little squares almost look like cobblestone. Looking forward to seeing the full piece.

    ReplyDelete
  2. Looking forward to seeing how your work with organza proceeds. Have you worked with silk organza? I am taking a class (Sheer Illusion) with Carol Taylor in early June and she specifies silk organza in the supplies. I have not really done a lot with sheers except for one of my early works.

    ReplyDelete
    Replies
    1. Silk organza is probably much easier to work with than the synthetics. I hope your class goes well!

      Delete
  3. Looks good! Sometimes it is hard to do all that stitching on layers of synthetic organza because they are so slippery, but you seem to be managing well.

    If it is synthetic organza, you can cut your shapes with a soldering iron and that will stop the edges from fraying.
    sandy in the UK

    ReplyDelete
  4. I was working with organza in my last piece and I found that too. I really want to experiment more with them. Can't wait to see where the stitching leads to on this piece. The texture is really intriguing!

    ReplyDelete
  5. Hello. Yes organza can be a real challenge to work with. When ever I have used it I have tended to use a watersoluble stabiliser.

    ReplyDelete

Post a Comment

Popular posts from this blog

Introducing 'Kaleidoclown'

For fun, I've drawn one of my own photos (yes, I was dressed in a clown outfit) and added a wild and crazy background to accompany it for today's practice effort. As part of sketching the piece, it was split into four sections with two opposing diagonal lines.  In terms of color choices, I've worked with color gradations for some shape sections.  Can you believe, there are five major shapes in this effort?  There really are -- circles, squares, trapezoids, triangles and spirals. I think the substrate is Biengfang Watercolor Paper (140 lb.).  The materials used were Ohuhu markers, Micron 01 pigment ink pen, some red Stickles glitter glue for the nose, and a white Posca pen (for white dots on the face and to highlight eyes) and a yellow one (for yellow dots in the center of the flowers on the hat). There was no intention in working on this piece other than to have fun...and based on how it looks, I'd say well done!.   One thing I learned is that blending with the Ohuhus i

Announcing new book - The Soliloquies of A Wayfaring Trio!

I'm so delighted with my new book -- that I designed, wrote and illustrated, and is now in print thanks to Blurb!   'The Soliloquies of A Wayfaring Trio' was a months-long effort this year.  I had no plan to create a book when I started reading unpacked journals from years ago. Those journals -- started in 1979 -- was at a time when life was about to serve-up some dramatic changes including a solo move from the Midwest to the Pacific Coast.  I wasn't writing poetry then.  In fact, I had never written poetry before, and it was only through those journals that I started writing creatively.   In 1981, that creative writing began with prose (one to four sentences in length).  While taking a 10-month journey to Europe (1982-3), poetry in free verse form started showing up.  An edited version of one of the poems written during that trip appears in the latest book and is titled 'A Day at Nea Kameni' (a location in Greece).   Thereafter, and in looking back, new poems s