Skip to main content

New Project in Progress


I'm working on a new project with multiple layers and shapes of different colored organzas.  It is an interpretation of lighting on an ice rink...from a show I recently saw.  There is a lot more stitching to do, but I like how its coming along.  I'm learning organzas are not easy to work with especially when you layer them and have overlaid edges.  The fabric also tends to ravel easily.

This post also linked to http://ninamariesayre.blogspot.com.

Comments

  1. Nifty texture! The little squares almost look like cobblestone. Looking forward to seeing the full piece.

    ReplyDelete
  2. Looking forward to seeing how your work with organza proceeds. Have you worked with silk organza? I am taking a class (Sheer Illusion) with Carol Taylor in early June and she specifies silk organza in the supplies. I have not really done a lot with sheers except for one of my early works.

    ReplyDelete
    Replies
    1. Silk organza is probably much easier to work with than the synthetics. I hope your class goes well!

      Delete
  3. Looks good! Sometimes it is hard to do all that stitching on layers of synthetic organza because they are so slippery, but you seem to be managing well.

    If it is synthetic organza, you can cut your shapes with a soldering iron and that will stop the edges from fraying.
    sandy in the UK

    ReplyDelete
  4. I was working with organza in my last piece and I found that too. I really want to experiment more with them. Can't wait to see where the stitching leads to on this piece. The texture is really intriguing!

    ReplyDelete
  5. Hello. Yes organza can be a real challenge to work with. When ever I have used it I have tended to use a watersoluble stabiliser.

    ReplyDelete

Post a Comment

Popular posts from this blog

Introducing 'Kaleidoclown'

For fun, I've drawn one of my own photos (yes, I was dressed in a clown outfit) and added a wild and crazy background to accompany it for today's practice effort. As part of sketching the piece, it was split into four sections with two opposing diagonal lines.  In terms of color choices, I've worked with color gradations for some shape sections.  Can you believe, there are five major shapes in this effort?  There really are -- circles, squares, trapezoids, triangles and spirals. I think the substrate is Biengfang Watercolor Paper (140 lb.).  The materials used were Ohuhu markers, Micron 01 pigment ink pen, some red Stickles glitter glue for the nose, and a white Posca pen (for white dots on the face and to highlight eyes) and a yellow one (for yellow dots in the center of the flowers on the hat). There was no intention in working on this piece other than to have fun...and based on how it looks, I'd say well done!.   One thing I learned is that blending with the Ohuhus i

The Creative Act by Rick Rubin

'The Creative Act', published just this year (2023), is filled with pearls of wisdom!  I've done one read-through without marking up the book.  But I will be re-reading it to digest it much more fully.   With so much in the book, I sometimes felt like I was hearing familiar voices communicating similar thoughts. That includes art course instructors, Ardith Goodwin and Louise Fletcher; words spoken by Goenka-Ji when leading Vipassana meditation retreats; and books by others.  Some of those authors include Brene Brown, John Cleese, Lynda Barry, David Bayles & Ted Orland, Cat Bennett, Austin Kleon, etc.  Without a bibliography or reading recommendations list, I'm really curious about the breadth of reading done by the author.  What/who were his favorite books/authors?  How did he develop his insights into the creative process?     The book is well-suited for marginalia.  If you're wondering what that is, it is writing in the margins to restate what you've read,

A New Sharpie Drawing/Painting

This effort was done starting with a 5-minute sketch while process photos were taken along the way.  My intention was to work on color selections and to complete the jewelry/dangles to stand out without overtaking the female image (and maybe even getting a sense of dimension with their use).   This is the second project in which a straight line across the page has been added to interrupt the wavy/curved lines -- and to show that using subtle color adjustments on each side of the line.  (The first project that incorporates a line can be seen in the August 23rd post,) I'm pleased with how this came out. There are a few areas where the decoration looks sparse, but I notice it seems restful to my eye, since the balance of the Sharpie-painted areas are much busier.  What is your experience looking at it?  What draws your attention first?